Since its inauguration into the Nottingham music scene in 2003, Rescue Rooms has developed some rich history...
Everyone from Amy Winehouse, The Libertines, Ellie Goulding, and Happy Mondays have taken to the stage in this 450-capacity venue from DHP Family. It’s also next door to both Rock City and Stealth, creating a powerhouse of a venue trio for the city’s music festivals.
There’s a bar area open every day from 4pm, two rooms for gigs, and two patios, so you can always do some al fresco sipping on the warmer days. There’s a large range beers on tap which includes constantly changing guest lines, as well as cask ales, and fridges with more beers than you can shake a stick at.
Recently sampled (via Untappd)
A•W18 Brewed All Season Pale
Cloudwater Brew Co. - Pale Ale - New England, 4%star star star star_border star_border
Drank on Friday 11 January 2019 at 22:46
Drain The Blood
Black Iris Brewery - Pale Wheat Ale - American, 5.2%star star star_half star_border star_border
Drank on Thursday 10 January 2019 at 19:18
A•W18 Brewed All Season DDH Pale
Cloudwater Brew Co. - Pale Ale - New England, 5.5%star star star star star_half
Drank on Monday 07 January 2019 at 00:24
✌️Mango Milk Power Breakfast IIPA
Beavertown - IPA - Imperial / Double New England, 8.3%star star star star star
Drank on Monday 07 January 2019 at 00:21
Cloudwater Brew Co. - Lager - Amber, 5.6%star star star star_border star_border
Drank on Saturday 05 January 2019 at 16:50
Patrons Project 9.05 // DDH IPA // Ben Mather // Northern Heroes // Eyeclops // Civil Society Brewing // Slim Pickens
Northern Monk - IPA - New England, 7%star star star star_half star_border
Drank on Friday 04 January 2019 at 19:25
Castle Rock Brewery - Pale Ale - English, 4.2%star star_half star_border star_border star_border
Drank on Friday 04 January 2019 at 18:36
Rescue RoomsMasonic Place
Beaut’ sky this evening! Why not take a stroll over our way and grab a drink during happy hour from 4-7pm? Maybe j… https://t.co/YOhF7Nt2vt
Jacob Lee at Rescue Rooms
Friday 18 January 2019 18:30 - 22:00
Australian singer-songwriter Jacob Lee will play an intimate show in Red Rooms!Get tickets
J Mascis at Rescue Rooms
Sunday 20 January 2019 19:30 - 23:00
J Mascis shares “See You At The Movies,” the debut single from his new album Elastic Days , available worldwide November 9th on Sub Pop
About Elastic Days
: Near the end of Reagan's first term, the Western Massachusetts Hardcore scene coughed up an insanely shaped chunk called Dinosaur. Comprised of WMHC vets, the trio was a miasmic tornado of guitar noise, bad attitude and near-subliminal pop-based-shape-shifting. The contours of their sound ebbed and flowed and mutated for 13 years before the name was retired. And in the course of that time, Dinosaur (amended to Dinosaur Jr. for legal reasons) defined a very specific, very aggressive set of oblique song-based responses to what was going on. Their one constant was the scalp-fryingly loud guitar and deeply buried vocals of J Mascis.
A couple of years before they ended their reign, J cut a solo album called Martin + Me . Recorded live and acoustic, the record allowed the bones of J's songs to be totally visible for the first time. Fans were surprised to hear how melodically elegant these compositions were, even if J still seemed interested in swallowing some of the words that most folks would have sung. Since then, through the reformation of the original Dinosaur Jr lineup in 2005, J has recorded solo albums now and then, when he had songs that were suited to acoustic (or at least relatively toned-down) performance. And those albums, Sings + Chant for AMMA (2005), Several Shades of Why (2011) and Tied to a Star (2014) all delivered incredible sets of songs presented with a minimum of bombast and a surfeit of cool. Like its predecessors, Elastic Days was recorded at J's own Bisquiteen studio. Mascis does almost all his own stunts, although Ken Miauri (who also appeared on Tied to a Star ) plays keyboards and there are a few guest vocal spots. These include old mates Pall Jenkins (Black Heart Procession), and Mark Mulcahy (Miracle Legion, etc.), as well as the newly-added voice of Zoë Randell (Luluc), among others. But the show is mostly J's and J's alone.
He laughs when I tell him I'm surprised by how melodic his vocals seem to have gotten. Asked if that was intentional, he says, “No. I took some singing lessons and do vocal warm-ups now, but that was mostly just to keep from blowing out my vocal cords when Dino started touring again. The biggest difference with this record might have to do with the drums. I'd just got a new drum set I was really excited about. I don't have too many drum outlets at the moment, so I played a lot more drums than I'd originally planned. I just kept playing. [laughs] I'd play the acoustic guitar parts then head right to the drums.” There is plenty of drumming on the dozen songs on Elastic Days . But for those expecting the hallucinatory overload of Dinosaur Jr's live attack, the gentleness of the approach here will draw easy comparisons to Neil Young's binary approach to working solo versus working with Crazy Horse. This is a lazy man's shorthand, but it still rings true.
J's vocals have always leaned in a direction acknowledging the Bard of Toronto, but as early as Dinosaur Jr's third single, the epoch-defining “Freak Scene,” J's off-hand vocal delivery was instantly recognizable. On a track like “Sky Is All We Had,” the same dynamism is at work, but the evolution of technique is so massive as to lift the proceedings to a new level. The album is chock-full of similar nuggets. Built around acoustic guitar figures, often holding off electric flights of guitar backdrop until the third act, the tunes are massively seductive and satisfying. J's fave track is “See You at the Movies,” which has a fully evolved sense of loss hanging over it, and features the classic couplet, “I don't peak too early/I don't peak at all.” My own choice is “Picking Out the Seeds,” on which J pulls out his falsetto voice to great effect, and maintains a middlin' pace that makes the tune one of the great Beard Rock readymades of the era. But Elastic Days brims with great moments: Epic hooks that snare you in surprisingly subtle ways, guitar textures that slide against each other like old lovers, and structures that range from a neo-power-ballad (“Web So Dense”) to jazzily-canted West Coasty post-psych (“Give It Off”) to a track that subliminally recalls the keyboard approach of Scott Thurston-era Stooges (“Drop Me”). The album plays out with a combination of holism and variety that is certain to set many brains ablaze.
J says he'll be taking this album on the road later in the year. He'll be playing by himself, but unlike other solo tours he says he'll be standing up this time. “I used to just sit down and build a little fort around myself -- amps, music stands, drinks stands, all that stuff. But I just realized it sounds better if the amps are higher up because I'm so used to playing with stacks. So I'll stand this time.”
I ask if it's not pretty weird to stand alone on a big stage. “Yeah,” he says. “But it's weird sitting down too.” Ha. Good point. One needs to be elastic. In all things.Get tickets
Heavy Lungs at Rescue Rooms
Tuesday 29 January 2019 18:30 - 22:00
Formed in May 2017 in Bristol, through friendship, and a desperate need for artistic and sonic self-expression, Heavy Lungs went on a frenetic spree. From the first packed out show at Crofters Rights, to recording an ep in 3 days, a raucous set at Simple Things last year, to supporting Idles then Metz. They went onto play outside Bristol home turf across the country and are now about to embark on a UK tour with brothers, Idles. This is the beginning. This is Heavy Lungs.Get tickets
Shvpes (Red Room Show) at Rescue Rooms
Wednesday 30 January 2019 18:30 - 22:00Get tickets